VALOI Easy120—Efficient and Streamlined Camera Scanning

VALOI Easy120 Overview

VALOI has introduced the "Easy120," a new innovation in camera scanning technology for 35mm and medium format films, including sizes like 4.5x6, 6x6, 6x7, and 6x9. It simplifies the process by addressing challenges such as aligning the film plane, isolating the optical path, and integrating the film carrier with the backlight for better portability. This makes it a practical option for home or community darkroom setups.


VALOI Easy120 in 6x9 configuration with 50mm manual lens and full frame camera.
VLADS TEST TARGET used for exact focusing and framing. 

The Easy120 provides a stable connection between the camera and film holder, ensuring a vibration-proof and reliable scanning experience. Enthusiasts looking to streamline their workflow will find it precise and user-friendly.

Streamlined Efficiency and Professional-Grade Results

The Easy120 is an all-in-one solution for digitizing 120 roll film with precision. Its high-CRI (95+) LED light eliminates the need for a copy stand or external light source, reducing setup time. Sturdy aluminum tubes ensure stability and a vibration-free connection. Its modular design supports 120 and 35mm formats, allowing an entire roll to be scanned in minutes with a pull-through system. Optional accessories like the Easy120 Advancer enhance speed and accuracy. Compact and easily storable, it consistently delivers professional-quality scans without occupying significant space.

Choosing the Right Camera and Lens

Still there is something each photographer has to do before Easy120 starts churning out the digitized photographs – the user has to decide what camera and lens they will be using. This is essentially the very personal decision each of us has to make based on desired outcome, projected throughput, equipment already available, desire to exercise their DIY skills and of course the budget.

Before scanning, the choice of camera and lens should consider results (image usage and pixel size), workload (number of rolls and formats processed weekly) , and, of course, the budget.

Key Factors in Choosing Cameras and Lenses for Scanning with Easy120

As mentioned earlier, choosing the appropriate camera and lens for scanning involves balancing technical specifications with personal preferences. The Easy120 is compatible with a wide range of DSLR and mirrorless cameras, from APS-C sensors to medium formats like Hasselblad or Fuji GFX. This compatibility highlights the importance of the camera body in determining scanning outcomes, particularly in terms of pixel count and color fidelity. However, the quality of the lens—characterized by its sharpness and "flatness of field”—is critical in influencing the perceived quality of the scans.

Lens-Body Problem: Choosing the Body

Recent digital cameras from major brands are generally compatible with scanning. Mirrorless cameras are preferred for their superior Live View, which aids precise focusing at high magnifications. Older DSLR models may struggle with grainy or unstable Live View at 10x magnification, making accurate focus difficult. Mirrorless models ensure a clearer and more stable Live View, enhancing efficiency when paired with any lenses – especially with small apertures.

APS-C vs Full Frame

When selecting a camera for film scanning, the difference between APS-C and full-frame sensors is less critical than the working reproduction ratio (WRR). For a full-frame camera scanning a 35mm film frame, the WRR is 1:1. In contrast, for an APS-C sensor, the WRR is 1:1.5. When it comes to medium format film, the WRR increases to 1:2.3 for full-frame (24mm vs. 54mm) and 1:3 for APS-C (18mm to 54mm). These WRR values are crucial because they significantly influence lens selection.

Many high-quality lenses are specifically optimized for certain ranges of reproduction ratios and may not perform optimally when used at a WRR outside their intended range. Therefore, understanding and considering the WRR is essential for achieving the best results in film scanning, regardless of the sensor's resolution.

Lens-Body Problem: Choosing the Lens

Few lenses meet the stringent requirements for camera scanning. Flatness of field—ensuring uniform sharpness across the frame—is critical. Many lenses, especially zooms, fail to meet this standard due to all compromises manufacturers have to make by combining three optically very distinct schemas into single lens. So called “process lenses”, used in industrial applications, and enlarger lenses often are better suited for scanning.

Photographers often assume lenses from other tasks will perform well for scanning, but this is rarely the case. For example, zoom lenses are unsuitable due to distortion and inconsistent sharpness.

After technical considerations, the decision often comes down to the photographer's willingness to invest in equipment and time. Scanning requires labor-intensive steps such as maintaining a dust-free environment, organizing originals, and actively managing image conversion. Labor costs can quickly exceed hardware expenses, so selecting the right equipment initially is vital to avoid repeating the process.

Criteria for Lens Selection

Half of the questions on camera scanning forums focus on lens selection. Without specific criteria, this decision can become interminable.

A lens must exhibit these qualities:

·       Flatness of Field: Maintains uniform sharpness across a flat subject like a film negative.
·       Minimal Geometric Distortion: Little to no pincushion or barrel distortion. For instance, the highly regarded Sigma 2.8/50 mm DG Macro, despite its overall performance, does show some visible pillow distortion.
·         Uniform Sharpness: Center and edges should maintain similar clarity.
·         No Color Fringing: No halos around high-contrast edges. A common issue, such as with the popular Componon-S 80 mm lens, shows noticeable color fringing unless the aperture is set to f/11 or smaller.
·         Consistent Contrast: Uniform across the field of view.
·         Limited Light Fall-Off: Ensures consistent brightness for accurate color negative inversion.

The widely available tool that greatly simplifies lens selection is the "VLADS TEST TARGET", which enables users to thoroughly evaluate and verify all the above criteria, ensuring optimal lens performance.

Why Fewer Than 1% of Lenses Are Suitable for Camera Scanning

Flatness of field is rare in most lenses, as it is not a focus for consumer or professional photography. This capability is not commonly found in the vast majority of lenses on the market. Even some fixed-focus macro lenses fail to meet the rigorous demands of scanning. Additionally, achieving flatness of field is not straightforward; a lens may only exhibit this trait within a very limited range of reproduction ratios. Manufacturers typically specify this range explicitly, particularly for industrial lenses where flatness of field is crucial.

For instance, the highly regarded Rodenstock APO-Rodagon D lens series includes models with designations like 2X and 1X, indicating their optimized performance ranges. The "2X" denotes that the lens is designed to perform best at a 1:2 reproduction ratio, while the "1X" indicates optimal performance at a 1:1 scale.

Specialized process lenses are ideal but often expensive unless purchased second-hand. Enlarger lenses are a more accessible alternative, optimized for 1:5 to 1:20 reproduction ratios but sometimes suitable for scanning magnifications like 2:1 to 1:3.

Process and enlarger lenses typically lack focusing mechanisms and require extension rings, helicoids, or bellows for proper positioning. This adds another layer of complexity for those assembling a camera scanning setup, but often pays off in terms of quality.

Fret Not: Top-Quality Lenses for Camera Scanning

Excellent scanning lenses are available, ranging from vintage models with simple adapters to modern lenses with electronic controls. Online communities frequently debate their merits, and many photographers experiment with several options before settling on “the one.”

Lists of such lenses are frequently discussed online ", and photographers often debate their merits with the same fervor typically reserved for iOS vs. Android or Canon vs. Nikon debates. It is more often than not that photographers go through a number of lenses before settling on “the one.”

Richard Karash has compiled excellent list. To give you the taste of Rick's list here is his Tier 1 lenses:

"In Richard’s words, “Testing done at 1x magnification to 50MP Sensor, mid-corner, from the Edmund Scientific glass USAF Test target (which has perfect lines to 224 lp/mm)”. Testing this way, these are the lenses that performed best:

50 f/2.8 Sigma EX DG macro
50 f/4.5 Tominon
55 f/2.8 Micro-Nikkor AI or AIS
70 f/2.8 Sigma Macro ART
75 f/4 APO Rodagon-D 1x Copy Lens
75 f/4.5 APO Rodagon-D 2x Copy Lens (normal orientation)
90 f/2.8 Sony Macro
100 f/2.x CoolScan 8000/9000 lens"

This is Part 1 of a three-part series: Optimizing Camera and Lens Selection for Advanced Camera Scanning with Easy120

Part 1. VALOI Easy120—Efficient and Streamlined Camera Scanning

Part 2. Assembling Easy120

Part 3. Utilizing Vlads Test Targets for Effective Lens Evaluation

 

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