As I look at pictures of camera-scanning setups, I can't help but have a persistent worry: what if all of these weights on long poles are just pendulums waiting for a bump to start swinging. Of course, the manufacturers claim that their stands are as steady as rock, as stable as an Egyptian pyramid, as solid as gold bullions. However, I am not fully convinced. If I were to tell you that a camera on such a stand moving just 1/10 the thickness of a human hair during exposure would result in a loss of half the resolution, would you be concerned? So, in this article, I'll present my arguments and show you how to check and possibly secure your own scanning setup against vibrations. Blurring the edges Certainly, let's start from the basics and define what is meant by "blur".  Blurring on a camera occurs as a result of movement of the camera, subject, or both. Motion blur specifically refers to the streaking or smearing seen in the image due to this movement [1].   On th

My article   Zen and the Art of Camera Scanning or The Brief History of Vlads Test Target  is now live on 35mmc.com

When scanning film with a digital camera there are only two absolute musts in regards of captured image: it  should be uniformly sharp and focused from the edge to the edge.  Those two qualities can only be achieved when:  the film holder is absolutely parallel to the camera's sensor plane (and keeps film absolutely flat) and you need a lens which is capable of faithfully reproducing your image at 1:1   scale ( or around that value depending on the camera sensor size and film format)    The first requirements can be achieved by carefully positioning and fine-tuning the camera so that when the image to be captured is in focus, it neatly fills the camera frame, and the center and all the corners are equally sharp. The "Vlads Test Target" (Google it!)   has been designed specifically to allow visual control and the best alignment detection. The Vlads Test Target film strips are so sharp that even the slightest loss of focus causes image edges in the digital camera to b

In this innovative offering, the ten USAF 1951 test patterns are strategically placed throughout the 24x36mm film frame - one in the center, and the others scattered across sides and corners. This unique arrangement facilitates a comprehensive evaluation of the sharpness and focus across an entire negative or transparency/slide in one shot.  P hotographers can now accurately evaluate the performance of their lenses and camera systems across the whole frame. This is particularly advantageous for detecting any discrepancies or weaknesses in image quality, which might typically go unnoticed with conventional  single-pattern USAF 1951 target needing to be moved in camera field of view. 24x36 mm target on 35 mm Adox CMS Pro film Clean, nice, sharp corners make or break the great scanned image    Welcome to www.film4ever.digital - the home of  USAF 1951 Resolution Chart on real 35 mm and 120 film aka Vlads Test Target ! New 35 mm targets with extra Siemens stars (2021) Read here how I mysel

Update 11/16/2020: Now shipping: https://www.etsy.com/shop/SilverKnits Folks ask often if a test target for MF films will be available. Something is in the works. Subscribe to this blog and you will be first to know when it's available.    I did consider making them in a way that would work as 4.5x6 , 6x6 , 6x9. But to make this work economically I need to make sure I have at least 100 customers ready to pay more than the current rate. Even shipping will be much more expensive as film will require better protection. I certainly have equipment and know how already, but still don't know if I want to get in this rabbit hole again. I can put up Google form to collect the requests and gauge the level of interest , but for now I would not promise anything. If you or anyone would send me any unneeded negatives on 120 film so I can asses the real-life sizes, that would help, I only have my own film as 6x6 slides.

I spent all day yesterday scanning my old slides. Here is my approach:   I used 75 W CREE lamp bought in home Depot. While I do have dichro lamp house C760 , I  decided against it to avoid dealing with the heat. CREE lamp was on for hours in the end without any issues. I tethered my  Canon Rebel T4i camera  to my  Windows 10 desktop running EOS utility using some old USB cable ( I suspect cable may affect the connectivity so I always use the same one known to work) and camera was running tethered for hours. I set up everything - lens, holders, light etc in working config. I removed  the slide from the holder so my lens was seeing the light diffuser. I put EOS utility in live view mode and used color picker to white balance camera against diffuser. My live view on screen became gray. I deselected picker to freeze my white balance. Note how Red, Green and Blue channels get aligned with each other. In the EOS remote interface I change the expos

Here is another   DR;TL.  (from my post on FB ) I am thinking about publishing the series of posts describing minute technical details about how "Vlads test target" was and is actually produced. The project took roughly eight months and between hundred and two hundred hours of labor. The result adorns FB "Digitizing film with a digital camera" group title page.   Now I want to share some technical details as they might be just handy to anyone who still shoots film. I want to thank all members  of the group as they gave me the inspiration and tons of technical advice and know-how. On the   other side I am thinking about publishing these notes on some photo-website - so the audience will not be limited to this private group but whatever I learned will be available to anyone who can google. I have not contacted any particular web site yet and is actually open to suggestions which one has a wider reach. Certainly the other goal is to advertise the availability of those